Beenie Man Honoured with Special Citation by NYC Mayor for His Impact on Global Music and Caribbean Culture

Beenie Man’s headlining appearance at the Rise Up NYC concert series this past weekend was more than another appearance on a U.S stage—it was a celebration of legacy, culture, and recognition. As the multi-genre festival kicked off in Brooklyn’s Wingate Park, the renowned entertainer delivered a high-energy set of classic hits like “Who Am I (Sim Simma)” and “Ghetto Gal,” drawing thousands of fans waving flags and repping Caribbean pride. This momentous performance placed him front and center of a city-wide cultural initiative celebrating diversity and music.

Capping off the night, Beenie Man was formally honoured by New York City Mayor Eric Adams with a special citation recognising his enduring impact on global music and Caribbean culture. “Respect to the Mayor of NYC for honouring the Rasta from Jamaica at Rise Up NYC!” he shared in a heartfelt Instagram post. “It’s a true blessing to be recognized for my body of work, love, and significant contributions to our culture. 1 King Zaga Zow! #MyGodIsTrulyAmazing.” The citation symbolised more than just personal accolades—it was a salute to dancehall’s influence on New York’s multicultural heartbeat.

For Beenie, the moment also served as a spiritual affirmation. The dancehall icon used his platform not only to entertain but also to give thanks, echoing themes of gratitude and faith throughout his set and online reflections. Known for his Rastafarian beliefs and charismatic stage presence, the Grammy-winning artist reminded fans why he remains one of Jamaica’s most enduring cultural ambassadors.

The Rise Up NYC series, which offers free concerts across all five boroughs, continues to bridge genres and generations. With future performances from acts like Myá, Doug E. Fresh, Rakim, and Wayne Wonder, Beenie Man’s performance served as both a curtain-raiser and cultural reset—reaffirming dancehall’s rightful place on the global stage.

As the crowd danced beneath the Brooklyn sky, it became clear that Beenie Man wasn’t just performing in New York—he was reclaiming it.

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