6 months ago
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In a robust and inspiring performance, the National Chorale of Jamaica ignited the University Chapel, Mona, on Sunday with the rendition of George Handel’s Messiah (Part1) and a medley of carols.
The evening’s feast commenced with carols which included James Whitbourn’s A Great and Mighty Wonder, delivered in characteristic grandeur by the chorale; the Negro spiritual Mary had a Baby, the religiosity of which was expressed with gusto and depth of feeling; and Alice Parker and Robert Shaw’s Fum, Fum, Fum, an innovation which was rendered with vocal virtuosity.
The first part of the programme ended with Steve Kupferschmid’s Santa You’re Too Fat which conveyed a diet full of hilarity with interpretive vocal mastery.
The second part of the recital showcased Handel’s excellence and the chorale’s soloists were moved to centre stage. Tenor, Brenton McLean, opened with Comfort Ye, the cry of the prophet Isaiah entreating deliverance for the people of Judah from their suffering, which he delivered with commendable sensitivity, empathy and clean notes befitting the biblical account.
The authoritative bass-baritone of Michael Sutherland was unmistakably present in the classic pieces of Thus Saith the Lord of Hosts, For Behold Darkness Shall Cover, and The People That Walked in Darkness.
Contraltos will always provide euphonious music to the ears and Racquel McLean, particularly in Behold a Virgin Shall Conceive and Oh Thou That Tellest Good Tidings gave full credence with fluidity and urbanity to that universally accepted opinion.
Soloist Christine MacDonald-Nevers, a respected voice in the local and regional musical landscape, accentuated her reputation in a score depicting the annunciation of the birth of Jesus to the shepherds. In a display of lyrical purity, acuity and cadence, the artiste gave the audience a masterpiece on canvas.
The chorale was under the baton of conductor, Winston Ewart.
English (US) ·