1 month ago
22
With its seemingly infinite collection of characters, there’s no end to the possibilities in the Marvel universe. With that in mind, the assembly of characters in Thunderbolts* seems baffling. A group made up of supporting characters in other stories, each one more morally bankrupt than the last. They’re self-proclaimed losers, yet by the end of the film, it’s hard not to love them.
The film opens with Florence Pugh’s Yelena Belova at a low point in her life – ironically, while standing on a high point, the second tallest building in the world. As she swan-dives off the edge, she narrates how empty and aimless her life feels. She reflects on her monotonous days and desire for change, all while effortlessly and humorously dispatching enemies in a fight sequence that contrasts with her inner turmoil.
It’s a sentiment that easily resonates. Not just for those living with a similar mental state, but for anyone who’s been keeping up with the Marvel Cinematic Universe, which in recent years has felt increasingly rudderless. It also sets the stage for the darker subject matter Thunderbolts* doesn’t shy away from.
The film can be quite funny, but underneath a quippy demeanour, Thunderbolts* is downright depressing. Amidst all of its fun action is a pain-filled centre, as the individuals on-screen work through their trauma, fighting to survive in a world that no longer wants them.
CHARACTERS HISTORIES EXPLORED
The cinematography matches this bleak storytelling, with high contrasts emphasising the starkness of light in the dark. The characters and their histories are explored in context, with each member of the group having about as much knowledge of their new companions as the most casual observer of this series. Despite being a technical sequel to several films and television series that precede it, Thunderbolts* doesn’t have required reading to enjoy its story.
None of the film’s big swings would land without a cast fully committed to telling this story. Florence Pugh takes the lead, but every member pulls their weight. At times, the dialogue feels a little stilted and the plot developments more than a little convenient – but it all builds toward a satisfying conclusion that defies convention and delivers on the film’s ambitious mission statement: embracing community despite a natural inclination to isolate.
It’s inspiring to watch yet another found family come together. Like the Guardians of the Galaxy and T he Avengers, the Thunderbolts* experience clashes that should tear them apart from the start. Instead, this unit of broken soldiers fits together more seamlessly than any team before them. There’s a deep empathy within their community, one that can only be expressed by those who’ve gone without it.
Rating: Big screen watch
Damian Levy is a film critic and podcaster for Damian Michael Movies.
English (US) ·