Art Basel Miami Beach closed its 2025 edition with resounding momentum, marking a defining year for the fair and reinforcing its position as the premier hub for Modern and contemporary art in the Western Hemisphere. The second edition under Director Bridget Finn, this year’s fair brought together 283 leading galleries from 43 countries and territories, including 48 first-time exhibitors, and drew more than 80,000 visitors across its VIP and public days. Collectors, curators, museum leaders, and art enthusiasts from the Americas, Europe, Asia, Africa, and the Middle East converged in Miami Beach, underscoring the fair’s expanding global impact and its central role as a marketplace and discovery engine for artists at every stage of their careers.
Sales activity reflected strong confidence across the market, with galleries reporting placements spanning postwar and Modern masters to today’s most compelling voices. Works by Ruth Asawa, Sam Gilliam, Alice Neel, Andy Warhol, and Martin Wong found homes in major public and private collections, while significant momentum also emerged around rediscovered artists such as Emma Amos, Eva Olivetti, and Juliette Roche. Emerging talents — including Kelsey Isaacs, Cisco Merel, and Adriel Visoto — resonated with collectors seeking new perspectives and experimental practices. The range of sales across sectors spotlighted the vitality of gallery programs and the rich diversity of artistic expression showcased throughout the fair.
The institutional presence this year was among the strongest in Art Basel Miami Beach’s history, with representatives from more than 240 museums and foundations worldwide. Attendees included leaders from the Art Gallery of Ontario, Centre Pompidou, Fondation Beyeler, LACMA, the Metropolitan Museum of Art, Tate, SFMOMA, MoMA PS1, Zeitz MOCAA, and numerous national, regional, and university museums. Their engagement reaffirmed the fair’s role as an essential platform for institutional acquisition, research, and global cross-pollination.
In its sixth edition, Meridians again emerged as a focal point for large-scale, ambitious work. Curated by Yasmil Raymond, the 2025 edition titled The Shape of Time brought together 19 artists exploring how artworks can suspend, distort, or materialize time. Immersive installations, commanding sculptures, and expansive wall works elevated the narrative of the Americas and international dialogue within the fair. Highlights included the placement of Kye Christensen-Knowles’ monumental mural Cycle of Additional (2025) and Silva Rivas’ immersive video installation Buzzing (2009), both of which drew significant acclaim.
A defining moment of the 2025 edition was the launch of Zero 10, Art Basel’s new global initiative for art in the digital era. Curated by Eli Scheinman, Zero 10 became a high-energy hub for generative, computational, and hybrid digital–physical practice. Presentations by Beeple Studios, AOTM Gallery, Art Blocks, Heft, Pace Gallery, Visualize Value, and others generated exceptional interest from established collectors and first-time buyers alike. Beeple Studios saw rapid sell-outs of Regular Animals, while major digital creators — including Tyler Hobbs, Kim Asendorf, Joe Pease, and XCOPY — registered some of the fair’s most talked-about results. XCOPY’s Coin Laundry alone attracted over 2.3 million NFT claims, signaling robust engagement. The sector’s success positions Zero 10 as a cornerstone of future editions and a vital platform for evolving digital ecosystems ahead of its next iteration at Art Basel Hong Kong.
Art Basel final conversation about infinite Scroll: Art, algorithms and images todayArt Basel’s Conversations program delivered another year of dynamic public dialogue, attracting strong attendance at the Miami Beach Convention Center. This year’s discussions opened with a day focused on the intersection of art and sport, featuring figures such as Malcolm Jenkins and Elliot Perry, who reflected on endurance, representation, and cultural impact. Complementing Zero 10, the fair’s Digital Dialogues extended the conversation on Web3, technology, and the shifting boundaries of artistic production.
The inaugural Art Basel Awards Night, presented in partnership with BOSS and hosted by Grammy-winning producer Kasseem “Swizz Beatz” Dean, brought together leaders from art, design, fashion, music, and entertainment at Miami’s iconic New World Center. Selected by their peers, artists Ibrahim Mahama, Nairy Baghramian, and Cecilia Vicuñareceived the first Icon Artist Gold Awards, while Meriem Bennani was honored with the inaugural BOSS Award for Outstanding Achievement. The evening marked a milestone in celebrating global artistic visionaries and underscored Art Basel’s commitment to elevating voices shaping contemporary culture.
The City of Miami Beach continued its Legacy Purchase Program for the seventh year, acquiring Modulations – Sequence XXIX by Peruvian artist Ximena Garrido-Lecca, presented by Livia Benavides. Selected by public vote and drawn from Nova, Positions, and Galleries exhibitors highlighting emerging or early-career artists, the acquisition reinforces Miami Beach’s dedication to cultivating long-term cultural legacy and public engagement.
International collaboration remained pivotal, as demonstrated by the return of the CPGA–Villa Albertine Étant donnés Prize, awarded to Kelly Sinnapah Mary and James Cohan Gallery. The prize recognizes excellence in contemporary creation and supports the visibility of French and Francophone artists globally through a $15,000 award from the CPGA.
The Art Basel Shop expanded its cultural footprint with a new USM-designed space and an array of artist-led collaborations. Highlights included the AB by Artist capsule by Sanford Biggers, the limited-edition Art Basel Miami Beach Labubu, the hand-numbered Art Basel x Inter Miami jersey, and major collaborations with Marc Jacobs, featuring works by Derrick Adams, David Shrigley, and Hattie Stewart. Exclusive Murakami-designed slides, prints by Emily Xie, and other limited-edition items connected fairgoers to the creative energy of Art Basel’s communities.
Reflecting on this standout edition, Director Bridget Finn celebrated the fair’s ambition and cultural resonance, noting that its expanded sectors — including Meridians, Zero 10, and the evolving Conversations platform — energized cross-cultural dialogue and amplified emerging voices, from Latinx and Indigenous artists to pioneers of new digital forms. UBS’s John Mathews echoed this sentiment, highlighting the fair as a catalyst for contemporary engagement and praising this year’s UBS exhibition Beyond Pop: Art of the Everyday for bridging fine art and popular culture.
Art Basel Miami Beach 2025 — held December 5–7, with VIP Days December 3–4 — concludes a year of growth and renewed vision, strengthening its position as a global force in art, culture, and innovation. The fair will return for its 2026 edition from December 4–6, continuing its legacy as a dynamic site for artistic exchange and market leadership.

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