CJ Milan Does It Again! — Promoter Behind Bounty Killer & Vybz Kartel’s Sold-Out Barclays Concerts Now Brings Mavado To Jamaica

The woman who helped orchestrate Bounty Killer and Vybz Kartel’s historic Barclays Center comeback is doing it again — this time for Mavado. CJ Milan, the powerhouse promoter reshaping modern dancehall’s global stage, has announced Return of the Gully Gad, Mavado’s first major Jamaican concert in nearly a decade. The event, set for Saturday, December 27 at Plantation Cove in St Ann, marks a full-circle moment for both the artiste and the promoter known for turning dancehall dreams into cultural milestones.

The news follows a whirlwind month for the “Weh Dem A Do” hitmaker, who returned to Jamaica last week after his 2018 arrest warrant was officially lifted. Now free of legal woes and ready to reconnect with fans, the Cassava Piece native is preparing for a homecoming that promises spectacle, redemption, and history in the making. Tickets go live Thursday, October 23, on reggaefest.com, and early buzz suggests another sold-out event is imminent.

For CJ Milan, this isn’t just another concert — it’s a statement. Her Reggae Fest brand previously made headlines earlier this year for delivering several sold-out shows at Brooklyn’s Barclays Center featuring Vybz Kartel and Bounty Killer, among others, reigniting the conversation about dancehall’s global dominance. Now, with Mavado stepping back onto Jamaican soil, Milan is once again at the heart of a moment that bridges legacy, loyalty, and the rebirth of one of dancehall’s greatest performers.

“You don’t even understand the feeling I have right now — I can’t explain it. God is good,” Milan shared in a heartfelt Instagram post following the announcement. Her words reflect not only gratitude but also the sheer magnitude of what this event represents — a return of faith, music, and unity in a genre built on resilience.

As Mavado prepares to headline Return of the Gully Gad, fans are already drawing parallels to Kartel’s triumphant stage comeback last year — a subtle reminder that dancehall’s most powerful stories aren’t just about rivalry, but renewal.

Share this post: