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Chapta Nyne, a Jamaican-born dancehall performer had driven to Miami to discuss the success of “Baby Mama Drama,” his emotionally charged single that has now crossed more than two million views online. Up close, Chapta Nyne speaks with the same intensity heard in his music — passionate, deliberate and deeply personal.
The song’s title suggests chaos, but during the interview, Chapta Nyne insisted the record was never meant as an attack.
“When you hear baby mama drama, you think of chaos, toxicity, and all of that, which is in the song,” he said. “But this song is not to attack females… I didn’t do the song with mal intent.”
Born Robert McCalla and raised in St. Thomas, Jamaica, the same parish that produced dancehall stars like Popcaan, Chronic Law and Skillibeng, Chapta Nyne has spent years building a career rooted in motivational storytelling and gritty honesty. His previous songs “Focus Like Telescope” encouraged discipline and perseverance, while “Grandma Seh” explored hardship and ambition through cinematic visuals and emotional storytelling.
“Baby Mama Drama” connects differently, asking listeners to recognize the pain inside it.
“At the time of the song, yes,” he said when asked whether he was personally experiencing the turmoil he described. “Most baby mama drama starts when you’re separating, it’s not really while you’re in the relationship.”
The artist then detailed the emotional fallout following the end of a relationship with the mother of his children.
“So we separated, and yes, we had two kids together, and things didn’t go well,” he said. “Moved on, I was living with someone, she wasn’t living with somebody, and then the manipulation started.”
According to Chapta Nyne, the conflict escalated over the years, affecting not just the parents involved, but the children caught between them.
Chapta Nyne“That happened for years with playing the kids against me,” he said, “and the kids coming to my home feeling guilty if they even have fun with me, with their dad… it took a toll on them for years.”
For all of dancehall’s long-standing reputation for bravado and confrontation, the interview revealed something more vulnerable beneath Chapta Nyne’s hardened delivery as he repeatedly returned to the emotional impact on his children.
“I was looking at the kids because, in the long run, they are the ones that suffer,” he said.
Big on creative independence, Chapta Nyne through his label, Bad Artist Entertainment, remains deeply involved in every stage of production.
“Baby Mama Drama was written by myself, produced by me,” he explained. “The vocals, I edited the vocals, everything, and I sent it out to my mixing engineer for mixing and mastering. Yeah, so in the studio, me.”
Asked how he would describe himself as a father, Chapta Nyne answered immediately.
“Very good father,” he said. “I wish you could talk to my kids, they would tell you. Very good, very attentive.”
Then his tone softened.
“I’m the father where the homework, pick up from school, I don’t care how old you are. I’m a daughter, I’m coming to pick you up, especially if you are a female. I’m very protective.”
At times, the interview veered into controversial territory, reflecting the same tension that often exists within dancehall itself.
“When you deal with women, it’s just like you’re dealing with kids,” he said. “They’re one in the same.”
The comment will likely divide audiences. But perhaps that contradiction is part of what makes Chapta Nyne compelling. His music exists in the uncomfortable space between pain and pride, accountability and frustration.
English (US) ·