Masicka Drops ‘Autocrat’, Declares “Dancehall ina Me Palm Forever” as Fans Question His Clash Credentials

Masicka is standing firm in his belief that he holds the genre’s reins, even as critics call for him to prove his lyrical might. Declaring “Dancehall inna me palm forever 🐊👋our world our Jamaica,” the Genasyde boss used his latest Instagram post to remind fans of his dominance. The statement comes amid mounting chatter that the deejay has been sidestepping lyrical clashes—a staple of the culture and a key test of any artiste’s staying power.

The criticisms resurfaced most recently with Devin Di Dakta’s diss tracks aimed at Masicka and even members of his camp, sparking amusement and debate among Dancehall fans online. Many also point back to earlier moments where Masicka seemed to avoid direct lyrical battles with Alkaline and Skeng, leaving some to question his battle-readiness despite his musical success.

Still, Masicka appears unfazed by the noise. Instead of engaging in lyrical warfare, he doubled down on his artistry, dropping the visuals for ‘Autocrat’ on Friday, and teased another single set to appear on his forthcoming album. The strategic move keeps the spotlight on his craft and longevity, signalling that his focus remains on delivering hits rather than clashing for validation.

As expected, the responses online have been mixed. “Baddest thing in dancehall right now❗️No bwoyyyyy 1syde 🥇🐊🐊,” one supporter wrote, while another defended his versatility: “Mention one dancehall artist alive, on planet earth, with one flow, who keeps on making hits?” But not everyone was impressed. “Watch this pon mute naw listen yaw say till u clash smaddy… yuh nuh battle tested hombre,” one skeptic commented, echoing the sentiment of fans urging him to step into the lyrical ring.

The debate comes on the heels of another controversy: Jahshii’s veiled remarks about crowns and “shoes lace” at Reggae Sumfest, which many interpreted as a jab at Masicka’s standing with Vybz Kartel. Masicka has since brushed aside the suggestion of tension, but as the criticisms pile up, one thing is certain—whether through clashes or chart-topping hits, the question of Masicka’s place in Dancehall remains a hot topic.

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